Road trips

US Route 95, Part I

In mid-October I snuck in a short road trip on the Triumph. But with the self-imposed task of reviewing 31 Frankenstein movies over the course of the month, I didn’t have time to write about it. Now, with that Frankenfoolery behind me, I can tell the story. (For those of you who missed any of the Frankenstein reviews, the full list of movies with links to the reviews is available here.)

The route I took came at the recommendation of my friend Chris P, who travels a couple of times a year between his homes in Lake Tahoe and in San Diego. (Life can be hard.) US 95 is a north-south highway, mostly with one or two lanes each direction, that runs from the Canadian border in western Idaho down to the Mexican border in western Arizona. I wish I’d had the time and inclination to ride the entire length, but it was getting late in the season, the days were short, and the temperatures were low. So I just took the segment of the highway that runs through the Nevada desert from Fallon to Las Vegas.

Map of Nevada Cities - Nevada Interstates, Highways Road Map - CCCarto.com
I wish I knew how to highlight highway 95 on this map. The segment I took runs along the western edge of Nevada, beginning just east of Reno.

Since I now call the Sacramento area my home, getting to US 95 means heading east on US 50 across the Sierras and skimming under south Lake Tahoe, then crossing about 75 miles of Nevada’s Great Basin Desert before connecting with US 95. The first leg of the trip provided dismal scenery, with evidence of the recent Caldor fire made manifest in large swaths of blackened forest. I encountered snow flurries going over Echo Summit, which reinforced my decision to make this the last road trip of the year. Thankfully, when I got into Nevada things warmed up a bit. I passed through Carson City (Nevada’s capital, pop. 55,000), after which US 50 palpably earns its moniker “The Loneliest Road in America.

Along this road you encounter scant traffic, and so you’re inclined to stop at virtually every one of the scarce, isolated towns just to remain connected with humanity. One such stop is the hamlet of Stagecoach (pop: 1,800).

Stagecoach, NV is one of those outposts that either attract or trap individuals who hang their hat outside the mainstream. This is often evident in their roadside folk art installations, of which Stagecoach boasts several.

I advise against stealing this guy’s mail.

Yes way.

The town’s law enforcement relies on a skeleton crew.

Stagecoach, as you might imagine, used to be a stagecoach stop (as well as a Pony Express stop). For many years, one of the main attractions was the Oasis Restaurant. Sadly, the Oasis seems to have fallen on hard times, and was not just closed but apparently abandoned.

The oasis has dried up

Road trippers along US 50 have long admired the odd, cactus-shaped water tank (?) on the Oasis’ property. Admittedly, it’s not especially well executed, and it’s not especially attractive. But out here there’s not a lot of competition for best-dressed water tank. So somehow I have admiration for this spearmint-colored cactus. I guess it’s because out here, in the middle of nowhere, with presumably no code enforcement and no competition from nearby businesses, there’s little reason to gussy up a water tank. But the good folks at the Oasis took it upon themselves to do so. I’ve commented before that there’s something about the desert that brings out this kind of whimsy.

Lookin’ “sharp”

Finally I connected with US 95 at the town of Fallon (pop: 8,600). By Nevada standards, Fallon is a decent-size city (#26 in population, out of 131 Nevada cities listed). The town’s main street is named “Maine Street.” At first I thought it was just a hilarious misspelling, but I later learned that the name is a reference to the home state of the town’s founder.

I spent an hour or so at the city’s history museum (whose collection is drawn from the entire county). According to the museum displays, Fallon was largely settled by would-be 49ers who stopped short of California’s gold fields. Fallon grew after the turn of the 20th century as a dam and various irrigation projects allowed the desert town to support farming and a larger population. Around World War II Fallon acquired a naval air station.

More recently, Fallon was home to the storied Fallon Shoe Tree. Ian and I managed to see it when we took a road trip through here some years back. Sadly, some miscreant cut town the tree. What a heel that guy was!

Legend of the Shoe Tree grows on the Loneliest Road in America
The Shoe Tree of yesteryear

The museum even has a display case with a small selection of shoes removed from the fallen tree.

The sole survivors

The museum’s docent, Brianna, was friendly and helpful, perhaps because the museum had until recently had only 2 visitors during the Covid era. Brianna originally hails from northern California, but the man she married originally comes from Fallon, and they had a kid and made a home here.

Docent Brianna

For a docent at the Fallon museum, she didn’t come across as a huge town booster. She prefers the coastal areas of northern California. “Someday I’ll move back to the west coast,” she said. Funny, her sense of being stuck sounds a lot like the waitress I talked to when I came through Fallon on my US 50 trip a few years ago. Here’s what I wrote at that time:

My waitress was very authentic and friendly, though. She saw me consulting my Rand McNally atlas at the table and asked me about my trip. It turns out that she is from Sacramento, and has noticed the same US 50 sign and wondered about Ocean City, MD as well. But here in Fallon is as far as she ever got. She’s raising an 11 year old, and hopes that, after he’s graduated from high school, she can do some travelling. By which she means getting an hour or two out of Fallon.

I did find that Fallon has some notable architecture. The Douglass Mansion is especially impressive. Built in 1904, it’s a classic example of Queen Anne style.

The Douglass Mansion

The house once had a detached garage, which the second owner (a physician) had outfitted with a turntable, much like the one in Batman’s Batcave, I imagine. Sadly (for me) that garage and turntable were torn down and replaced with a small hospital.

Robert L. Douglass House | Historic photograph ca.1904 ; cou… | Flickr
The house really hasn’t changed a lot in over 117 years.

Not far from the Douglass Mansion is the old high school. I know this because the building is helpfully labeled as such. The building dates back to 1917, so it has earned the moniker.

I wonder at what point they changed the lettering from “New” to “Old”?

Overall, the town feels well cared for, pleasant, and hardy. The same cannot be said for most of the other encampments along US 95.

Take, for example, the town of Schurz, named (for some reason) after the then-US Secretary of the Interior in 1891. Located within a Paiute Indian reservation, Schurz was once a viable town near Walker Lake, with homes, community buildings, parks, and services. Today is practically a ghost town. (Coincidentally, the town is the birthplace of the Paiute spiritual leader, Wovoka, who established the Ghost Dance movement in the late 1800s.) Everywhere you see abandoned or badly neglected buildings. And I didn’t see a single living soul on the streets.

I’ll bet the owners of these structures lost their Schurz.

Traveling a little further south along US 95 takes you along the steep shore of Walker Lake, which is Nevada’s second-largest natural lake (after Lake Tahoe).

About five miles past Walker Lake is the town of Hawthorne (pop: 3,300), which touts itself as “America’s Patriotic Home” (a claim which might rightly be challenged by any number of cities). Hawthorne’s claim is based on its hosting the US Army’s largest ammunition storage facility. From US 95 you can see some of the 2,500 bunkers which are used to store ammunition.

Naturally, most of the town’s households are connected in some way with the ammo storage facility. There’s an ordnance museum (which unfortunately was closed when I got there), and even the local park has playground equipment made out of bomb casings.

Hawthorne is da bomb

Other than zillions of tons of ammo and a faded casino, the only other notable sight in Hawthorne was the derelict Cactus Theatre. Built in the late 1940s out of a quonset hut, the 300-seat venue achieved notoriety in 1972 as one of only two theaters in the state of Nevada to show the pornographic film, Deep Throat. The theater closed in 1997, but reopened in 2005 as the Cinadome Theatre. (Look closely at the sign, and you can make out both its old and new names.) The Cinadome closed in 2012, but the waitress at the local pizza joint told me that there’s an effort to get it open again.

Speaking of the local pizza joint, I had one of the best pizzas of my life at Old Nevada Pizza. Seriously, their sweet and spicy pizza is to die for, with a perfect and unlikely balance of jalapenos, pineapple, bacon, and barbecue sauce.

[Special Update: As I write this, my son Ian is taking his own trip through western Nevada and he just passed through Hawthorne. He reports, and I quote, “Everyone there looked like they wanted to leave.”]

Hawthorne is where I laid my head for the night. Part II comes tomorrow!

Frankenstein movies

Happy Halloween!

Friendly Frank Pumpkin | Parents

Well, here we are at the last day of the month. I’ve slogged through 31 Frankenstein movies, a few of which were actually good. But all things must come to an end, and today’s will be my last FrankenPost. I’ll provide my final Frankenstein movie review; I’ll make some summary observations about Frankenstein’s continued presence in cinema; I’ll list my top five movies; and I’ll end with a few Frankenstein cartoons that have been sent in by loyal readers. Here we go!

“1-Adam 12, see the man in the old castle about an escaped homicidal monster.”

Our final Frankenstein portrayal is “Lizard’s Leg and Owlet’s Wing,” which was a Halloween episode of the TV series Route 66. For those of you not familiar with the show, it was an anthology series that ran on ABC in the early 1960s. Each week two buddies (played by Martin Milner [who’d later star on Adam 12] and George Maharis [who went on to pose nude in Playgirl in 1973]) would drive their Chevy Corvette to another town, where the episode would center on one or more guest stars in some minor plot contrivance.

But what’s especially notable about this particular episode is that it includes the fourth and final time that Boris Karloff appeared as Frankenstein’s monster. You’ll recall that the first three times were for Universal’s Frankenstein movies from the 1930s. This episode aired in 1962.

I consider this episode to be a special treat, strictly for Karloff’s presence. He was 75 at the time this was filmed, and would die seven years later–just a few months after he narrated “How the Grinch Stole Christmas.”

As I see it, you can’t think of Frankenstein without thinking about Boris Karloff. So it’s a rare gift to be able to see him once again in the iconic Jack Pierce makeup for a final outing as Frankenstein’s monster.

The episode is available for free on YouTube. Karloff appears throughout the show, but he dons the Frankenstein makeup around the 51 minute mark.

The Plot: As a story, this episode sucks. It’s contrived and cringe-worthy in many ways. But it had a fun premise for a Halloween episode, bringing together three horror actors from a bygone era: Boris Karloff, Lon Chaney, and Peter Lorre. The tissue-paper-thin plot meant to justify this assemblage was that the three aging actors are putting together a new horror series on television. But they disagree over whether it should feature the old monsters (as Lorre and Chaney insist), or whether they should jump on a more modern bandwagon and feature space creatures and such (which is Karloff’s preference). As the individual actors live in England, New York, and Los Angeles, they decide to meet up at the O’Hare Inn in Chicago to discuss the matter further and come to an agreement.

Ah, yes, Lon! Any sign of a plot?

Of course, the O’Hare Inn turns out to be the same hotel where Martin Milner and George Maharis have arrived to work as guest liaisons. (Why or how that happened beats me.) That leads to some corny and very 1960s subplots where Maharis is assigned to assist a convention of 40 female executive secretaries, and Milner keeps bugging him to “share” some of the girls with him. Meanwhile, Karloff, Chaney, and Lorre decide to test the relevance of their old monster personas by donning the classic makeup and seeing how the secretaries at the hotel react. After some more tedious subplots, the actors appear in costume and the secretaries faint from the sight of Lon Chaney’s Wolfman and Boris Karloff’s Frankenstein. (Peter Lorre seems to just be himself, and there’s a running joke that the women faint at the sight of him as well.)

I told you it sucks as a story line.

The Monster: It’s Boris Karloff, back in his old makeup. It’s not scary, but rather quite a bit like seeing an old friend! Well, an old friend who’s constructed out of corpse parts.

Stand aside for the master monster

I do think that Karloff (as well as Chaney) are wearing rubber masks rather than the painstaking makeup treatment that Universal used to apply. But it’s still fun to see them in character, as it were.

Karloff appears as the monster for only a minute or two. So I won’t hold it against you if you just fast-forward to that point of the show.

The Atmosphere: The atmosphere is very early-1960s…which is creepy in its own way. Practically the whole episode is filmed on location at the O’Hare Inn.

Can’t you just hear the Mantovani music in the lounge?
O'Hare Inn & Suites, Chicago (IL) | 2021 Updated Prices, Deals
…and it still seems to be around today (or at least some iteration of it).

General Comments: This is a period piece, for the 1960’s Chicago hotel, the Cro-magnon social attitudes, the breezy and semi-pointless television show, and of course for the swan song of the three horror icons. It’s these points, rather than the story, that makes this an entertaining show.

Peter Lorre would die of a stroke a year and a half after this episode aired. Boris Karloff would die 5 years after that. And Lon Chaney would be gone 4 years after that, in 1973. So ends the golden age of classic monsters.

FRANKENSTEIN IN CINEMA

As we’ve seen, movie makers are still mining Mary Shelley’s story for new portrayals of Frankenstein and his creature. Even though the story is often (but by no means always) set in the 19th century, there’s something timeless about the theme of medical science trying to create life. In part it’s a cautionary tale about what can happen when we try to play God. What’s more, the Frankenstein myth also lends itself to an exploration of how we react to an ugliness and beauty. It is of course notable that only children and a blind man accept Frankenstein’s creature at face value (as it were).

And there’s another, even more interesting level to the Frankenstein story, and it involves the feelings of the creature himself. Even though he might not be human, and might not have a soul, his anguish, sadness, delight, and confusion help us to understand ourselves and the human condition. There’s something universal about this. Ironically, it’s by stripping away the veneer of humanity that Frankenstein’s monster exposes truths about ourselves.

So I’d expect there to be more Frankenstein movies in the future. Meanwhile, if you haven’t already done so, I’d recommend you read the book. And you might also want to watch (or re-watch) some of my top Frankenstein movie picks. Below I’ve listed the 31 movies I reviewed this month, and I’ve highlighted my five top favorites.

OCTOBER’S HALLOWEEN MOVIE REVIEWS

TitleYearBlog LinkNotes
Frankenstein1910https://waytrips.travel.blog/2021/10/01/frankenstein-1910/First Frankenstein movie
Frankenstein1931https://waytrips.travel.blog/2021/10/02/universals-frankenstein-1931/Universal’s first Frankenstein movie, with Karloff
Bride of Frankenstein1935https://waytrips.travel.blog/2021/10/03/bride-of-frankenstein-1935/Universal’s second Frankenstein movie, with Karloff
Son of Frankenstein1938https://waytrips.travel.blog/2021/10/04/son-of-frankenstein-1939/Universal’s third Frankenstein movie, witih Karloff
Young Frankenstein1974https://waytrips.travel.blog/2021/10/05/young-frankenstein-1974/Young Frankenstein. Mel Brooks’ masterful and reverential spoof
Ghost of Frankenstein1942https://waytrips.travel.blog/2021/10/06/ghost-of-frankenstein-1942/Universal’s fourth Frankenstein movie, with Lon Chaney Jr
Frankenstein Meets the Wolfman1943https://waytrips.travel.blog/2021/10/07/frankenstein-meets-the-wolfman/Universal’s fifth Frankenstein movie, with Bela Lugosi
House of Frankenstein1944https://waytrips.travel.blog/2021/10/08/hou/Karloff is back, but not as the monster
Abbott and Costello Meet Frankenstein1948https://waytrips.travel.blog/2021/10/09/abbott-and-costello-meet-frankenstein-1948/As lame as it sounds
Curse of Frankenstein1957https://waytrips.travel.blog/2021/10/10/curse-of-frankenstein-1957/Hammer’s first Frankenstein movie, witih Peter Cushing (as Dr. F)
I Was a Teenage Frankenstein1957https://waytrips.travel.blog/2021/10/11/i-was-a-teenage-frankenstein-1958/Frankenstein is a buff teenager
Frankenstein 19701958https://waytrips.travel.blog/2021/10/12/frankenstein-1970-1958/Karloff as Dr. Frankenstein’s descendant, making a monster
Revenge of Frankenstein1958https://waytrips.travel.blog/2021/10/13/revenge-of-frankenstein-1958/Hammer’s second Frankenstein movie, with Cushing
The Evil of Frankenstein1964https://waytrips.travel.blog/2021/10/14/terror-of-frankenstein-1964/Hammer’s third Frankenstein movie, with Cushing
Frankenstein Meets the Spacemonster1964https://waytrips.travel.blog/2021/10/15/frankenstein-meets-the-spacemonster-1964/Pure drive-in garbage. Unclear if it’s supposed to be a spoof
Mad Monster Party1967https://waytrips.travel.blog/2021/10/16/mad-monster-party-1967/Karloff voices Dr. F in this Rankin-Bass holiday special
Frankenstein Created Woman1967https://waytrips.travel.blog/2021/10/17/frankenstein-created-woman-1967/Hammer’s fourth Frankenstein movie, with Cushing
Frankenstein Must Be Destroyed1969https://waytrips.travel.blog/2021/10/18/frankenstein-must-be-destroyed-1969/Hammer’s fifth Frankenstein movie, with Cushing
Horror of Frankenstein1970https://waytrips.travel.blog/2021/10/19/horror-of-frankenstein/Hammer’s sixth Frankenstein movie, but without Cushing
Lady Frankenstein1971https://waytrips.travel.blog/2021/10/20/lady-frankenstein-1971/Italian “Spaghetti Monster Movie”
Frankenstein: The True Story1973https://waytrips.travel.blog/2021/10/21/frankenstein-the-true-story-1973/Surprisingly good television miniseries
Terror of Frankenstein (aka Victor Frankenstein)1977https://waytrips.travel.blog/2021/10/22/victor-frankenstein-1977/
Frankenstein1984https://waytrips.travel.blog/2021/10/23/frankenstein-1984/Another surprisingly good made-for-TV movie
The Rocky Horror Picture Show1975https://waytrips.travel.blog/2021/10/24/the-rocky-horror-picture-show-1975/Spoof of classic monster pictures, with lots of sex and music
Frankenstein 901984https://waytrips.travel.blog/2021/10/25/frankenstein-90-1984/Failed French attempt at a Frankenstein spoof
Frankenstein Unbound1990https://waytrips.travel.blog/2021/10/26/frankenstein-unbound-1990/Roger Corman’s incomprehensible sci fi effort
Mary Shelley’s Frankenstein1994https://waytrips.travel.blog/2021/10/27/mary-shelleys-frankenstein-1994/Kenneth Branagh’s hubris, paired with Robert De Niro’s monster
Frankenweenie1984 and 2012https://waytrips.travel.blog/2021/10/28/frankenweenie-1984-and-2012/Tim Burton’s charming story of a boy reanimating his dog
The Frankenstein Theory2013https://waytrips.travel.blog/2021/10/29/the-frankenstein-theory-2013/My pick for the worst Frankenstein movie ever.
Victor Frankenstein2015https://waytrips.travel.blog/2021/10/30/victor-frankenstein-2015/Buddy movie with Dr. Frankenstein and Harry Potter
Route 661962You’re reading the post right now!Last film appearance of Boris Karloff as Frankenstein’s monster

TOP FIVE

Her’es the rationale behind my top five picks. Note that they are NOT rank-ordered; I consider them all to be in the top five, without distinction.

Frankenstein (1931): How could I not include this one? It’s the first full-length Frankenstein movie, and as such it came to set the mold for all future Frankenstein movies. It’s iconic, having hugely influenced the way that we think about Frankenstein’s monster to this day.

Young Frankenstein (1974): It’s simply a masterpiece, having captured the look, feel, and many of the tropes from Universal’s Frankenstein films, and then gently, reverentially, and lovingly satirizing them. The movie holds together as a story, and humor holds up surprisingly well after almost 50 years! I know a lot of people for whom this is the only Frankenstein movie they’ve seen. But I think you’re missing half the fun if you haven’t first watched Boris Karloff’s three Frankenstein movies.

Revenge of Frankenstein (1958). Peter Cushing and Hammer breathed new life (sorry) into the Frankenstein story. They focused on Victor Frankenstein, who turned out to be far scarier and more interesting than the creature from prior movies. Cushing is the next name in Frankenstein, after Karloff.

Frankenstein: The True Story (1973). OK, so it’s not really the true story. But this movie is engaging, fun, frightening, and at times stirring. Plus, the acting and sets are consistently impressive. Not bad for a made-for-TV movie.

Mary Shelley’s Frankenstein (1994). This one has an advantage with its 40 million dollar budget. Its sets, costumes, effects, and (most of its) actors are the best that money can buy. But for me, Robert De Niro makes the movie. His portrayal of the creature is riveting and tragic.

So, there you go! Let me know your favorite film from the month

FRANKENFUNNIES

Several of you sent in Frankenstein comics that have appeared over the past month. Here is a sampling:

The Argyle Sweater: The Argyle Sweater by Scott Hilburn for Fri, 08 Oct  2021: TheCartoonFeed
Contributed separately by Jonathan C. and Victor R.

Contributed by Victor R.

Frankenstein | Far side cartoons, Gary larson cartoons, Far side comics
Contributed by Jeremy T.

Young Frankenstein, Gary Larson | The far side, Good morning funny, Cartoon  jokes
Contributed by Harvey N.

FINALLY

I hope you’ve enjoyed this year’s Halloween blog posts. I hope you all enjoy the Halloween holiday tonight, to the extent that CDC guidelines will allow.

I now return this blog to the service of my road trips.

Frankenstein movies

Victor Frankenstein (2015)

The year 2015 was the last time I watched a Frankenstein movie in the theater. It was when I watched Victor Frankenstein with my brother Dave at the Tower Theater in Sacramento. The only reason I didn’t walk out was because I would have had to wake the person seated next to me.

But let’s review this fairly recent entry in the Frankenstein pantheon.

The Plot: This is essentially a buddy movie, with Victor Frankenstein (the forgettable James McAvoy) and Igor (Daniel Radcliffe of Harry Potter fame). Victor is pursuing experiments in resurrecting life, while Igor is a hunchbacked circus performer whom Victor takes under his wing. The two of them work together on Victor’s experiments, which climax in a horrific creation of a living human created from corpses. There’s a subplot, where Igor’s girlfriend, Lorelei (the same name of Marilyn Monroe’s character in Gentlemen Prefer Blondes, by the way) objects to Victor’s experiments. (It should be obvious that none of this has anything to do with Mary Shelley’s book.)

Trailer for New Frankenstein Flick Looks ... Interesting | WIRED
“Always.”

But wait! Victor’s proto-Nazi classmate, Finnegan, is intrigued by Victor’s experiments and wants for him to create a race of supermen. (Sound familiar?) Finnegan supplies Victor with a laboratory and funding to create this super being (named “Prometheus,” in an obvious reference to Shelley’s subtitle). Finnegan plans to weaponize the new creature, a motivation which Igor has divined. So Finnegan attempts to murder Igor, though he survives.

Victor Frankenstein "Finnegan" On Set Interview - Freddie Fox - YouTube
Seig Heil.

Victor manages to create Prometheus, and the process unintentionally kills Finnegan. The creature (Prometheus) then kills a police inspector, and attempts to kill Victor and Igor, until they manage to kill the creature. Victor goes off to Scotland, and leaves Igor to enjoy his life with Lorelei.

On the Set of Victor Frankenstein (2015) » ShotOnWhat? Behind the Scenes

The Monster: This is a true monster. But there’s no character development, no focus on its feelings or motivations. It’s just a brute. It’s just a problem to be eliminated.

Victor Frankenstein Horror Movie Heritage 1/6 Scale Figure - Prometheus
Wouldn’t be out of place in the Castro district.

The creature is played by Spencer Wilding, an imposing actor who has played Darth Vader and has been in the Harry Potter series.

The Atmosphere: The atmosphere of this movie sucks. It’s why I almost walked out on the movie. The action sequences with the creature, as well as earlier scenes with Frankenstein’s reanimated monkeys, rely heavily on CGI. It’s just numbing, all this overwrought action with no meaningful storyline.

Obsessed with Victor Frankenstein (2015) — Exclusive photos, plus  actor/director comments:...
Don’t be scared; it’s just CGI.

There’s also an annoying habit of illustrating Daniel Radcliffe’s knowledge of anatomy with little schematics that keep showing up on the screen. This is another of those movies that seems to think you can compensate for a lack of engaging plot and good acting with lots of whiz-bang graphics. This is a mistaken premise.

Victor Frankenstein (2015) – Review | Mana Pop

General Comments: Even though this movie is titled “Victor Frankenstein,” it’s told from the perspective of Igor. And Igor, of course, was not a part of Shelley’s original story. This whole movie introduces motivations, plot devices, and characters that have nothing to do with Shelley’s novel. And it’s much more focused on CGI than any real story line. I can’t recommend this movie.

Tomorrow, we have our final installment of this month-long review of Frankenstein movies. I can sense your disappointment that it has to end. The final installment will be a surprise, but let’s just say that it returns to Frankenstein’s cinematic roots. I’ll also provide a listing of all the movies we’ve reviewed, and will reveal my picks for the top five Frankenstein movies.

Until then!

Frankenstein movies

The Frankenstein Theory (2013)

Horror Movie Review: The Frankenstein Theory (2013) - Games, Brrraaains & A  Head-Banging Life

I’m man enough to admit when I’m wrong. And boy, was I wrong the other day when I called Roger Corman’s Frankenstein Unbound “quite possibly … the absolute worst Frankenstein movie ever.” I apologize profusely to Mr. Corman. His movie is friggin’ Citizen Kane compared to what I watched today. It’s now clear to me that the title of “worst Frankenstein movie ever” goes to The Frankenstein Theory.

Citizen Kane Loses Perfect Rotten Tomatoes Score After 80-Year-Old Review  Is Unearthed | PEOPLE.com
I give you Frankenstein Unbound!

The Frankenstein Theory is one of those “found footage” movies that were all the rage for about 15 minutes after The Blair Witch Project won an award at Cannes in 1999. But this is no Blair Witch Project. I say this because The Blair Witch Project had a discernible plot.

So let’s get on with the review, so we can afterwards wash our hands of this execrable dog of a movie.

The “Plot”: In the current day (well, 2013) an expelled university student holds a theory that his great, great, great (etc) grandfather, Johann Venkenheim, was the real-life scientist on whom Mary Shelley based her book. What’s more, he believes the creature that his ancestor created is still alive, living in the Canadian north. So he assembles a small documentary film crew, and they set out to find the creature. But each member of the group is killed, until no one else is left. The end.

The Frankenstein Theory - 2013 - B.G. Hilton - Writer
Hmmm. Surely there must be some point to this movie…

Seriously, that’s the whole story. Sure, a few other things happen, like the protagonist (Jonathan) has a fight with his girlfriend. And the cameraman has the hots for the documentary’s pretty director. But these have exactly zero to do with the plot, and are a waste of time.

The Monster: We never really get a good look at the monster. (The clear, well-focused image on the advertisement at the top of this blog never made it into the movie.) The clearest image we have in the movie is an eyewitness drawing that makes the creature look like the Unibomber.

Review: The Frankenstein Theory | The Movie Bastards

We don’t even get a glimpse of the creature until the last 9 minutes or so of the film. And even then, the image is either a dark silhouette or a brief, out-of-focus shot. The creature has no speaking lines, but we do hear some off-screen grunting and howling that sound more like an animal than a humanoid monster. And it goes without saying that we learn nothing of the creature’s motivations, feelings, or history.

That’s the clearest glimpse of the monster that you’re going to get in this film.

The creature is played by Roger Morrissey, whose main claim to fame is standing 7’4″. This has earned him such notable movie roles as a stuntman on House of 1000 Corpses.

The Atmosphere: This is your standard “found footage” movie, so it’s all shaky camera work, green-tinted night footage, and poor editing. (If that’s not enough to entice you, consider the fact that there’s no real plot!)

Review: The Frankenstein Theory | The Movie Bastards
Have we found the plot yet?

Most of the action (and I use that word loosely) takes place in a snowy Canadian wasteland (though the filming actually took place in Alaska).

Film Review: The Frankenstein Theory (2013) | HNN

The dialogue is composed of about 1/3 small talk among the crew, 1/3 whimpers and screams by crewmembers as they are being picked off by (presumably) the monster, and 1/3 F-bombs.

General Comments: Seriously, why was this movie made? The premise (that the Frankenstein story was real and the creature still exists) could conceivably drive some interesting plots. It could be a thriller where we slowly discover the cover-up that disguised the Frankenstein story as fiction, or it could be a life drama that focuses on what the creature has been doing for the past 200 years, or it could be a mystery that follows a series of deaths in the Canadian north. Or it could take any number of other approaches. But instead, all that happens is people try to find the creature and they all get killed. The characters are never really developed, so we don’t care about them. So what’s the point?

I will be happy to Venmo a refund to anyone who paid YouTube to watch this movie based on my suggestion at the end of yesterday’s blog.

Tomorrow, for the penultimate film of this month-long series, we try a slightly more recent production: Victor Frankenstein (2015). It’s available on YouTube.

FRANKELLANEOUS: The answer to yesterday’s trivia question is: The Grateful Dead’s “Ramble On Rose.” The relevant stanza in the lyrics is:

Just like crazy Otto, just like wolfman jack,
Sittin’ plush with a royal flush, aces back to back.
Just like Mary Shelly [sic], just like Frankenstein,
Clank your chains and count your change and try to walk the line.

Frankenstein movies

Frankenweenie (1984 and 2012)

barret oliver | Ken's Alternate Universe!

It was inevitable in a series of Frankenstein reviews that at some point we’d come across the name of Tim Burton. And today that happens! For Tim Burton had the bright idea of transferring the Frankenstein story to a boy and his dog. In 1984 he released a short (29 minute) live action, black and white film titled Frankenweenie. But then, almost two decades later, he re-made that same film as a full-length animated movie. And, as thoughtful, deep thinkers, we have to ask ourselves: Why??!

Normally it goes the other direction–an animated film gets the bigger-budget, live-action treatment. Like The Flintstones. Or Scooby Doo. Or Dick Tracy.

But here we have a filmmaker who makes a live-action movie, and then decides, “hey, maybe this would be better with drawings of people instead of actual people!”

In my opinion, there’s really no reason to watch the animated version. So the focus here will be on the live-action original, although I’ll point out a few aspects of the newer movie…mainly just so I can criticize it.

The Plot: Suburban kid (Victor Frankenstein) has a dog (Sparky) who is his best (and perhaps only) friend. Sadly, Sparky gets struck by a car and dies. Victor is distraught, but the next day his science teacher demonstrates how electricity can be used to get a dead frog moving again. (See where this is going?)

Frankenweenie: Watch the original 1984 Tim Burton short via YouTube.

So Victor gets some books on creating life, secretly builds a laboratory in his attic, and goes to a very gothic-looking cemetery and digs up Sparky. He takes the dog’s body home and secretly reanimates it. It works, and Victor tries keeping his restored dog hidden in his room. But Sparky gets out and terrorizes the neighbors, and his parents figure out what has happened.

Frankenweenie (Short 1984) - IMDb

And here’s where the two versions of the movie depart. Let’s start with the 1984 live-action original: Victor’s parents (played by Shelley Duvall and Daniel Stern) are totally cool with the fact that their son has dug up and reanimated his dead dog. And they want to make sure everyone else is cool with it to. So, to quell the neighborhood uproar about a crazed monster dog on the loose, they decide to invite all the neighbors over to introduce them to the new Sparky. But after everyone arrives, there’s the predictable disaster when at the moment they are presenting Sparky he jumps out of Vincent’s arms, knocks over a lamp, and gets the whole room in an uproar.

Sparky escapes and goes to hide at an abandoned miniature golf course in the windmill…which you’ll recall is where Karloff’s monster went in the 1931 Frankenstein. (Well, I mean the windmill, not a miniature golf course.) The neighbors follow him with flashlights, which of course bring to mind the villagers’ torches in the Karloff version. One neighbor tries to shine a light into the windmill with his lighter, and accidentally sets the the thing on fire. So, we now have a full-on spoof of the 1931 Universal film.

Sparky runs into the burning windmill and pulls Victor (who’d gone inside looking for him) to safety. Victor is saved, but Sparky dies from injuries sustained from the fire. The neighbors, witnessing Sparky’s bravery and Victor’s grief, have a change of heart and accept Sparky. They all band together and connect their car batteries together to create enough electricity for Victor to restore life to Sparky. It works, Sparky is revived, and kisses a poodle that has a “Bride of Frankenstein” white streak in its fur. The end.

Original Frankenweenie still. | Tim burton films, Tim burton movie, Tim  burton
Elsa Lanchester, eat your heart out

The 2012 animated version incomprehensibly decides instead to have all Victor’s classmates discover his secret for creating life, and they all resurrect their own pets, which become monsters that terrorize the town. It feels like the last third of the movie is just nonstop chaos as these monster pets smash cars, attack people, and create havoc, all while Danny Elfman’s usual melody-less score screeches louder and louder. Finally Victor and his friends manage to subdue and/or kill all those monsters. But Sparky is dead, and we end with the car battery scene described above.

Is this really necssary?

The Monster: Sparky is played by a bull terrier also named Sparky. For the movie, they gave him a bunch of stitches and electrodes on his neck, but he’s not scary. And he has the same, sweet disposition he had when he’d been just a normal, living dog.

𝔇𝔞𝔯𝔨 𖤐 𓃵 on Twitter: "Frankenweenie (1984)… "

This “monster” has no Angst, no murderous impulse, no issues at all. He’s just a happy pet dog. It becomes clear that the Frankenstein story loses all its interest when there’s no psychological or social problems with the creature. Plus, since Sparky is a dog, the story avoids all the metaphysical questions about souls.

Sparky | Frankenweenie
Here’s Sparky from the 2012 animated version.

The Atmosphere: Filmed in black and white, this movie seems to try to honor Universal’s classic Frankenstein movies with Boris Karloff. Frankenweenie employs numerous Frankenstein tropes, but sets them in a suburban kid’s world. For example, Victor’s “mad scientist laboratory” uses bicycle cranks, Christmas decorations, kitchen appliances, a kid’s phonograph, and other household items as components.

Kenneth Strickfaden must be rolling over in his grave.

There are references to Mary Shelley, the Bride of Frankenstein, the electrical storms, grave robbing, angry villagers, and a number of other elements from prior Frankenstein portrayals.

The overall feel of this (live action) movie is sweet with gentle humor. The actors’ performances are a little cartoonish in a way that reminds me of Pee Wee’s Playhouse. But the overall effect is a charming, if not intellectually demanding, film. Kind of like an after-school special.

General Comments: I think it should be clear that I prefer the original, live-action version of this movie to its animated remake. What’s more, I can’t understand why Tim Burton felt that this new version was even necessary. It’s as though Disney decided that the brains of 21st-century kids had become so softened by incessant video game playing that they would only watch a movie with the same basic sensibilities: animated graphics, lots of violence and action, the simplest of plots, and a sneering contempt for suburbia. Do yourself a favor and watch the original. It’s worth 29 minutes of your time.

FRANKELLANEOUS:

Loyal reader Chris F. brought to our attention this awesome, short clip about cereal monsters. You have to see it to believe it. It’s totally worth another 4 minutes of your time:

Also, Ron P. offered this trivia question: In what Grateful Dead song are Mary Shelley and Frankenstein acknowledged? The answer will appear tomorrow.

Speaking of tomorrow: We will review The Frankenstein Theory. It’s available on YouTube.